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This paper examines the evolution of the electric guitar-making industry in the US and Taiwan, highlighting how both regions adapted to global competition through craft-made production. It discusses the role of global mobility of craft skills and vocational education in fostering a craft industry in places lacking traditional craftsmanship. The findings suggest that the profit model of the craft industry is based on unique contracts between artisans and customers, contrasting with mass production models.

Author

910278

Language

EN