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Modal Subjectivities : Self-Fashioning in the Italian Madrigal by McClary, Susan is a nonfiction available to read on EtoBox.

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In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. __Modal Subjectivities__ covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meaning

Who reads Modal Subjectivities : Self-Fashioning in the Italian Madrigal?

Author

McClary, Susan

Publisher

University of California Press

Published

2005

Language

EN

ISBN

9780520234932

Category

nonfiction

Subjects

Music, History, Arts