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<p>The medieval liturgy was in many ways a performance in which the worshipper was transformed into both actor and audience—an act of intense involvement steeped in spoken words, music, and images alike. Of all these elements, art was arguably paramount: it transformed the physical setting of this ritual, shaped the medieval sense of belief, and guided the faithful toward a fuller comprehension of the word. The complex and always evolving relationship between the liturgy and the wide range of art that it influenced is the subject of the thirteen scholars who present their recent work in this richly illustrated volume.</p> <p>The authors' approaches are as varied as the objects they examine, which range from sumptuous codexes, altarpieces, metal shrines, ivories, and the expansive stained-glass windows of the Sainte-Chapelle to more humble artifacts such as baptismal fonts, choir stalls, and drinking horns. One of the many conclusions that emerge from these essays is that "liturgical art" was far from being a rigidly controlled or formulaic genre. Throughout the Middle Ages it could—and did—respond readily and in nuanced detail to the changing expectations of the devout, the taste a

Author

Hourihane, Colum [editor]

Publisher

Index of Christian Art, Dept. of Art and Archaeology, Princeton University in association with Princeton University Press; Princeton University Press

Published

2003

Language

EN

ISBN

9780691115399

Subjects

Art, Religion, History