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What is Mozart and Corelli about?

This article traces how a musical schema known as the Fonte-Romanesca was transmitted from Corelli to Mozart. It aims to clarify foundational principles of schema theory, particularly how models can inform composition through literal copying, creative imitation, variation, and problem-solving. The author examines how Mozart encountered and engaged with the Fonte-Romanesca during his early travels and studies in Italy as a young musician, gaining recognition from prominent figures like the Pope through his m

Author

negreba

Language

EN