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The article examines the representations of madness in Chinese literature, contrasting it with Western cultural studies where madness often reflects inner psychological struggles. It highlights how Chinese literary works, particularly from the twentieth century, utilize madness as a means to express social truths and trauma, focusing on socio-somatic aspects rather than introspective narratives. The paper analyzes five significant works that illustrate themes of madness, including paranoia and delusion, whi

Author
mariam malaak
Language
EN

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