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The paper examines the role of Indigenous religious rituals, particularly the Bhoota Kola, in decolonizing perspectives on nature as portrayed in the film Kantara. It critiques colonial ideologies that reduce nature to mere resources and emphasizes the importance of non-anthropocentric worldviews that challenge Western scientific narratives. By highlighting the spiritual connections between humans and forest deities Panjurli and Guliga, the authors argue for the inclusion of Indigenous epistemes in academic

Author

sk053564

Language

EN