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What is Théories du Son au Cinéma about?

This thesis examines theories that view film as a carrier of acoustically produced meaning. It provides a survey and critique of approaches that explicitly address cinema conceived in its essence as a sound medium. The thesis is divided into three parts focusing on sound itself, the voice in cinema, and film music. It interrogates the merits and limitations of semiological, psychoanalytic, cognitive, and technopragmatic approaches by applying them to issues in each area. While it would be ideal if all a

Author

Kouadio franck Kouassi

Language

EN