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The document discusses the relationship between propaganda and the Jesuit Baroque, emphasizing the role of art in influencing public opinion during the Baroque period. It critiques historical interpretations of propaganda in art, particularly in the context of figures like Caravaggio and the Jesuits, while exploring the evolution of rhetoric and its implications for understanding propaganda. The text highlights a generational divide in the perception of propaganda, suggesting that contemporary scholars have

Author

jlcyewrui695

Language

EN