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Chapter One discusses a new system for understanding and notating ornamentation in Irish flute and tin whistle music, emphasizing the importance of fingered articulations like cuts and strikes over the classical concept of grace notes. It critiques the borrowing of classical music notation practices, which have led to confusion in traditional Irish ornamentation techniques. The chapter also details the physical movements and fingerings required for executing cuts and strikes, highlighting their significance

Author
punymodes
Language
EN

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