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This document discusses the prooimia (introductions) and final strophes in the hymns of Romanos Melodos. It identifies four main types of prooimia based on the dominant element: 1) those dominated by prayer, 2) those that are prayers with thematic allusions, 3) those with doxological elements, and 4) those consisting solely of thematic allusions. It examines the various hymnic elements that can make up these introductions, such as doxology, prayer, confession, and admonition. It also discusses the use of ad

Author

Marian Tanasa

Language

EN