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The document discusses the revival of art in Ottonian Germany and Anglo-Saxon England following the collapse of the Carolingian empire, highlighting the influence of monastic reform and imperial patronage on artistic production. It specifically examines the emergence of two royal iconographic motifs, the crowned Christ and the crowned Magi, in both regions during the late tenth century, suggesting a connection between political theology and artistic expression. The analysis includes references to significan

Author

umutk

Language

EN