About this document
(Edinburgh Studies in East Asian Film EUP) Qi Wang - Memory, Subjectivity and Independent Chinese Cinema-Edinburgh University Press (2014) - 21 by Amelia Dahlan is a document available to read on EtoBox.
The document discusses the influence of direct cinema on independent Chinese documentary filmmakers, particularly in the context of post-1989 China, where filmmakers sought to depict the complex power dynamics between the government and citizens. It highlights the works of Duan Jinchuan and others, emphasizing their use of observational techniques to explore significant public spaces like Tiananmen Square and their impact on historical narratives. The analysis critiques the limitations of direct cinema
- Author
- Amelia Dahlan
- Language
- EN