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This document provides an introduction and overview of the topics covered in the book. It discusses how Wen Fong pioneered the use of Western art historical methods to analyze Chinese Buddhist painting styles. It also examines the close relationships between calligraphy, painting and poetry in Chinese art, and how they were based on mastery of techniques through copying past masters rather than originality or free expression. Discipline and tradition were valued over spontaneity. The introduction covers the

Author

Em

Language

EN