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This thesis by Paul Johnson examines the concept of invisibility in digital compositing and visual effects within modern filmmaking. It explores how VFX techniques conceal physical structures in film, drawing on historical and contemporary examples, including the works of Georges Méliès and modern interpretations of the Invisible Man. The research highlights the implications of these techniques on realism, character representation, and the portrayal of the body in a digital context.

Author

Soumick Chanda

Language

EN