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Peculiarities of The Piano Ballad Genre at The Beginning of The 20th Century (based on works by S. Bortkevych, І Friedman, B. Lyatoshynsky) by Sydir, Nataliya (author) is a Social Sciences article available to read on EtoBox.

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A comparative analysis of ballads for piano by three artists, whose works were created at the beginning of the 20th century, has been carried out. It has been revealed that the traditions the composers relied on during the period of the formation of their own style were influenced by the musical atmosphere and the environment (they are united by some common creative principles of F. Chopin and F. Liszt). The comparative analysis has reviled that the means of expression (allusions, stylizations) introduced and taken as a model to follow, differ due to the different conditions for the formation of a creative idea. For S. Bortkevych, these are the factors of nostalgia in forced emigration, hence he appealed to the idioms of expression of S. Rachmaninoff, M. Mussorgsky, and O. Scriabin. For I. Friedman these are the features of thematic development and development of F. Liszt's drama in view of the addressee of the dedication. For B. Lyatoshynsky these are works of M. Mettner, who the composer later borrowed a synthetic model of the sonata-ballad from. It has been highlighted that in terms of form, S. Bortkevych has a rondo-sonata with features of variation, I. Friedman has a sonata fo

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Author

Sydir, Nataliya (author)

Publisher

Ukrainian National Tchaikovsky Academy of Music

Published

2021

Language

EN

Field

Social Sciences