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Title Page 2 Copyright 3 Contents 3 Acknowledgements 5 Introduction 7 PART A Music and commerce 9 20. Between two worlds: art and commercialism in the record induslry / JON STRATTON 10 21. Between corporation and consnmer: culture and conflict in the British Record Industry / KEITH NEGUS 19 22. Flexibility, post-Fordism and the music industry / DAVID HESMONDHALGH 28 23. A sweet lullaby for 'world music' / STEVEN FELD 38 24. I want my MP3: who owns Internet music? / REEBEE GAROFALO 50 PART B Music and technology 59 25. Art vs technology: the strange case of popular music / SIMON FRITH 60 26. An intermediary between production and consumption: the producer of popular music / ANTOINE HENNION 68 27. Rationalization and democratization in the new technologies of popular music / ANDREW GOODWIN 80 28. 'This is a sampling sport'. Digital sampling, rap music and the law in cultural production / THOMAS SCHUMACHER 91 PART C Music and media 102 29. Radio space and industrial time: the case of music formats / JODY BERLAND 103 30. Form and female authorship in music video / LISA A. LEWIS 111 31. A postscript for the nineties / JANE FEUER 121 32. 'I hope you're enjoying your party'. MTV in war-to
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- Simon Frith (Editor)
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- EN
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