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This article examines the relationship between kharjas, concluding quès in the Hispano-Romance Mozarabic dialect, and Castilian villancicos and Old Portuguese cantigas de amigo, highlighting their thematic and stylistic parallels. It argues that the kharjas are crucial to understanding the origins of Romance lyric poetry in Medieval Iberia and should be studied collaboratively by scholars of Arabic, Hebrew, and Hispanic literature. The presence of recurring motifs, such as the mother as an advisor, undersco

Author

lupiator

Language

EN