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What is The New Yorker 2020 No 96#1 about?
UPTOWN A good abstract painting can seem inevitable-less made than materialized, like a Helen Frankenthaler stain or the squalls of Joan Mitchell. For thirty years, this American painter has been collaborating with chance on her compositions, pouring oil, scumbling dry pigment, dragging one canvas across another, and rattling, turning, and otherwise performing her surfaces until the results make the laws of gravity appear moot. In "Femme Brut," Saccoccio's new show (which continues at Chart, in Tribeca), the artist introduces an old-fashioned technique: drawing directly onto her paintings, with oil pastel, in furious cursive bursts. Several of these big, ambitious pieces, including "Le Puits Noir (Concave)" allude to the landscapes of Gustave Courbet-a suggestion, perhaps, that the only distinction between realism and abstraction is how an artist handles her paint.-A.K.S. (Through March 14.) "Acquired on eBay" Algus DOWNTOWN Low-budget collecting-the result of the gallerist Mitchell Algus's online research into artists of mysterious origins and minor reputations-is the generative curatorial premise of this wildly eclectic exhibition. The stark landscape "Gray Day," from 1927, by Al
Who reads The New Yorker 2020 No 96#1?
It is typically read by readers looking for immersive, entertainment-first reading.
Common subject areas: fiction, literature, genre fiction.
- Author
- http://downmagaz.com
- Publisher
- Condé Nast (ISSN 0028-792X)
- Published
- 2020
- Language
- EN
- Category
- magazine