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Cover 1 Half Title 2 Series 3 Title 4 Copyright 5 Dedication 6 Contents 8 Acknowledgements 10 Foreword: Revolution at the Drive-in by Bradley Tuck 12 Introduction: 1 + 1 + a 24 Chapter 1: Sad Bunny: Vincent Gallo and the Melancholia of Gender 50 Chapter 2: Drive in Cinema: The Dialectic of the Subject in Daisies and Who Wants to Kill Jessie? 70 Chapter 3: The Ghost Is a Shell 102 Chapter 4: Ecstatic Struggle in the World System: Werner Herzog’s Encounters at the End of the World 114 Chapter 5: Alexander Kluge’s News from Ideological Antiquity: Marx – Eisenstein – Das Kapital: A Conversation with Michael Blum and Barbara Clausen 142 Chapter 6: Everything You Always Wanted to Know About Obama (But Were Afraid to Ask Mr. Freedom) 160 Chapter 7: An Interview with Marc James Léger on Radical Politics, Cinema and the Future of the Avant Garde by Bradley Tuck 174 Chapter 8: Pasolini’s Contribution to La Rabbia as an Instance of Fantasmatic Realism 182 Chapter 9: Godard’s Film Socialisme: The Agency of Art in the Unconscious 208 Chapter 10: What Is to Be Done? with Spring Breakers 232 Chapter 11: Analytic Realism in Activist Film 262 Conclusion: Only Communists Left Alive 278 Index 288 Bac

Author

Marc James Léger

Language

EN