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This document discusses the transmission of classical improvisatory performance practices in North Indian tabla drumming. It explains that tabla players learn through years of study and practice under teaching specialists, using set pedagogical materials. For tabla, these materials revolve around rhythmic cycles called tals, with tintal being the most common 16-beat cycle. Tabla players must learn to accompany other musicians and also perform solo concerts, requiring different but related repertoire and per

Author

StevenPratama

Language

EN