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Creating the Past: The Vénus de Milo and the Hellenistic Reception of Classical Greece by Rachel Kousser is a Arts and Humanities article available to read on EtoBox.

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This article reexamines the well-known Hellenistic statue of Aphrodite from Melos (the Venus de Milo), drawing on recently published archaeological evidence and archival sources relating to its excavation to propose a new reconstruction of the sculpture's original appearance, context, and audience. Although scholars have often discussed the statue as a timeless ideal of female beauty, the Aphrodite was in fact carefully adapted to its contemporary setting, the minor Hellenistic polis of Melos. With its conservative yet creative visual effect, the sculpture offers a well-preserved early example of the Hellenistic emulation of classical art, and opens a window onto the rarely examined world of a traditional Greek city during a period of dynamic change. The statue, it is argued, was set up within the civic gymnasium of Melos. Furthermore, Aphrodite likely held out an apple in token of her victory in the Judgment of Paris, as newly accessible sculptural fragments found with the statue demonstrate. The sculpture responds to and transforms both classical visual prototypes and earlier narratives of the Judgment, familiar to Greek audiences from the period of Homer onward. And the Aphrodit

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Author

Rachel Kousser

Publisher

University of Chicago Press

Published

2005

Language

EN

Field

Arts and Humanities (Social Sciences)