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This article discusses theories about the origins of Noh theatre in Japan. It divides theories into two groups: 1) those that focus on performers and trace genealogical lines of Noh families, and 2) those that analyze early play texts and performance records to understand influences. Recent research has connected early Japanese shamanic rituals to the origins of Noh, showing similarities between possession rituals and aspects of early Noh plays. The article also discusses debates around Marxist interpretati

Author

Bru Pereira

Language

EN