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The Oxford Handbook of Critical Improvisation Studies I-II by George E. Lewis and Benjamin Piekut is a nonfiction available to read on EtoBox.

What is The Oxford Handbook of Critical Improvisation Studies I-II about?

Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.Preface to Volume IIntroductionGeorge E. Lewis and Benjamin PiekutI. Cognitions1. Cognitive Processes in Musical ImprovisationRoger Dean and Freya Bailes2. The Cognitive Neuroscience of ImprovisationAaron L. Berkowitz3. Improvisation, Action Understanding, and Music Cognition With and Without BodiesVijay Iyer4. The Ghost in the Music, or The Perspective of an I

Who reads The Oxford Handbook of Critical Improvisation Studies I-II?

Author

George E. Lewis and Benjamin Piekut

Publisher

Oxford University Press, Incorporated

Published

2016

Language

EN

ISBN

9780195370935

Category

nonfiction

Subjects

Music, Technology, Computer Science