About this document
Documentary Modes of Representation by Masha Shpolberg is a document available to read on EtoBox.
This document discusses four modes of representation in documentary film: expository, observational, interactive, and reflexive. Expository documentaries arose from a desire for a non-fiction alternative to dramatized films and used voice-over narration. Observational documentaries allowed for more direct recording of real events without commentary. Interactive documentaries engaged more directly with subjects. Reflexive documentaries drew attention to the filmmaking process itself and challenged assumption
- Author
- Masha Shpolberg
- Language
- EN