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Demonic Possession, Vulnerability, and Performance in Medieval French Drama (Medieval Interventions Book 4) by Stephen G. Nichols; Andreea Marculescu is a nonfiction available to read on EtoBox.

What is Demonic Possession, Vulnerability, and Performance in Medieval French Drama (Medieval Interventions Book 4) about?

Just like the modern hysteric, a figure that catalyzes clinical vocabularies confirming medieval theological anxieties, the demoniac has been considered an "anomalous" and "abnormal" manifestation of womanhood. Incapable of self-governance, both linguistic and corporeal, the medieval possessed is placed in the category of the pathological. The symptoms of possession are part of a multilayered discourse coined by medieval theologians, authors of __exempla__, hagiographers, and natural philosophers. The subjectivity of the demoniac becomes, thus, a fetishistic construction which allows medieval male intellectuals to ponder questions about demons, the supernatural, and the human body. __Demonic Possession, Vulnerability, and Performance in Medieval French Drama__ advocates for an affective and ethical framework of reading the vocabularies of possession in which the demoniac's convulsions, contortions, shrieks of pain, and snapshots of disarticulated language are not conceptualized as "pathological" but as a model of intercorporeality built around modalities of sensuous exchange between bodies both of the possessed and of those whom she comes in contact with. Can we think, I ask, of a

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Author

Stephen G. Nichols; Andreea Marculescu

Publisher

Peter Lang Inc., International Academic Publishers

Published

2018

Language

EN

ISBN

9781433150647

Category

nonfiction

Subjects

Literary Criticism, History, Philosophy