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The document discusses tonal degrees and their tendencies in music. It begins by explaining the hierarchy of tonal degrees, with the tonic or keynote being most stable. The other notes of a major triad are also stable, while other degrees are less stable or unstable. A melodic line often moves from an unstable degree to the closest stable degree. Common endings are the tonic or dominant. Certain degrees like the leading note have a strong tendency to resolve upward by a semitone. Relationships between degre
- Author
- kdkdkd
- Language
- EN