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What is Absurdist Dialogue in Twentieth Century Plays about?

This essay analyzes the dialogue in plays by Harold Pinter and Eugène Ionesco. It argues that their dialogue is not totally incoherent, as Martin Esslin claimed, but requires the audience to interpret meaning beneath or within even broken speech. While Pinter encodes psychological meanings beneath everyday dialogue similarly to Noel Coward, Ionesco

Author

Muhammad Adek

Language

EN