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Can I read Exposing Slavery : Photography, Human Bondage, and the Birth of Modern Visual Politics in America on EtoBox?

Exposing Slavery : Photography, Human Bondage, and the Birth of Modern Visual Politics in America by Matthew Fox-Amato; ProQuest (Firm) is a nonfiction available to read on EtoBox.

What is Exposing Slavery : Photography, Human Bondage, and the Birth of Modern Visual Politics in America about?

https://global.oup.com/academic/product/-9780190663933 Within a few years of the invention of the first commercially successful photography process in 1839, American slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass also came to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype saloons of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. This book explores how photography altered, and was in turn shaped by, conflicts over bondage. Drawi

Who reads Exposing Slavery : Photography, Human Bondage, and the Birth of Modern Visual Politics in America?

It is typically read by self-directed learners exploring a subject in depth.

Common subject areas: history, science, philosophy, social sciences.

Author
Matthew Fox-Amato; ProQuest (Firm)
Publisher
Oxford University Press, Incorporated
Published
2019
Language
EN
ISBN
9780190663933
Category
nonfiction
Subjects
History, Sociology, Art

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