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This paper explores Ptolemaic cameos from the second and first centuries BC, particularly those produced in Alexandria under royal patronage. It examines their stylistic and iconographical traits, linking them to the broader context of Hellenistic glyptic art and royal portraiture. The study also reassesses the Tazza Farnese, arguing for its dating in the first century BC based on stylistic analysis and comparisons with other artifacts.

Author

jbspier

Language

EN