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Provided that it is not confined to the evidence of resemblance, painting forces the viewer who wishes to express it to confront everything that contradicts the common order of language and to venture into the twists and turns of creative speech. Piero della Francesca’s perspective in La Flagellation exposes us to the experience of this ‘strategy of the enigma’ (Yves Bonnefoy) Ut pictura poesis, discourse of painting, perspective, vanishing point, interpretative wandering, being, word.
- Author
- Martine Lacas
- Language
- FR