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This study investigates the relationship between embodied experiences of abstract art and postural control among 46 participants viewing 21 20th-century abstract paintings. While no significant differences in postural control were found across the paintings, variations in postural sway were noted between high-motion and low-motion paintings, indicating a connection between emotional states and aesthetic appraisal. The findings suggest that postural dynamics can provide insights into the embodied nature of a

Author

wachimavis10

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EN