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What is Sonorous Individuation in Sound Art about?

This thesis examines the idea of auditory influence and sonorous individuation through sound art practices. It discusses three areas: acoustic ecology and field recording, sound art intersecting with architecture, and headphonic space interiorizing the body. Through these diverse practices, a common idea emerges of sound influencing listening subjects, raising questions about constituting an auditory subjectivity. The thesis uses Gilles Deleuze

Author

Miguel Prado

Language

EN