Opening book details…
Can I read Representing the Good Neighbor: Music, Difference, and the Pan American Dream (Currents in Latin American and Iberian Music) on EtoBox?
Representing the Good Neighbor: Music, Difference, and the Pan American Dream (Currents in Latin American and Iberian Music) by Carol A. Hess is a book available to read on EtoBox.
What is Representing the Good Neighbor: Music, Difference, and the Pan American Dream (Currents in Latin American and Iberian Music) about?
Winner of the 2015 Robert M. Stevenson Award from the American Musicological Society In Representing the Good Neighbor: Music, Difference, and the Pan American Dream, Carol A. Hess investigates the reception of Latin American art music in the US during the twentieth century. Hers is the first study to probe Latin American art music in relation to Pan Americanism, or the idea that the American nations are bound by common aspirations. Under the Good Neighbor policy, crafted by the administration of President Franklin D. Roosevelt to cement hemispheric solidarity amid fears of European fascism, Latin American art music flourished and US critics applauded it as'universal.'During the Cold War, however, this repertory assumed a very different status. While the United States supported Latin American military dictators to assuage fears that communism would overwhelm the hemisphere, musical works were increasingly objectified through essentializing adjectives such as'exotic,'distinctive,'or'national'--through the filter of difference. Hess explores this phenomenon by tracking the reception in the United States of the so-called Big Three: Carlos Chávez (Mexico), Heitor Villa-Lobos (Brazil),
- Author
- Carol A. Hess
- Publisher
- IRL Press at Oxford University Press
- Published
- 2013
- Language
- EN
- ISBN
- 9780199920006
- Subjects
- History, Music, Arts
- Updated
- 2026-03-25
Other editions & translations
More by Carol A. Hess
Browse all works by Carol A. Hess
Similar books
- Danzón: Circum-Caribbean Dialogues in Music and Dance (Currents in Latin American and Iberian Music) — Alejandro L. Madrid, Robin D. Moore (2013)
- Colonial Counterpoint: Music in Early Modern Manila (Currents in Latin American and Iberian Music) — D. R. M. Irving (2010)
- Tracing Tangueros: Argentine Tango Instrumental Music (Currents in Latin American and Iberian Music) — Kristin Wendland Kacey Link (2016)
- Music Criticism and Music Critics in Early Francoist Spain (Currents in Latin American and Iberian Music) — Moreda Rodríguez, Eva (2017)
- Discordant Notes: Marginality and Social Control in Madrid, 1850-1930 (Currents in Latin American and Iberian Music) — Samuel Llano (2018)
- Aaron Copland in Latin America: Music and Cultural Politics / — Carol A Hess. (2023)