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This article examines the role of nostalgia and retro aesthetics in recent US-American cinema, specifically focusing on La La Land (2016) and The Shape of Water (2017). It argues that while both films engage with nostalgia, they do so in distinct ways: La La Land critiques nostalgia itself, while The Shape of Water uses it to foster social connections. The essay highlights the need for clearer distinctions between nostalgia and retro in film studies and explores how these concepts influence audience recepti

Author

phangoc062006

Language

EN