Can I read The Roman Frontier in Central Jordan: Final Report on the Limes Arabicus Project, 1980-1989 . By S. Thomas Parker, John Wilson Betlyon, Robin M. Brown, Vincent A. Clark, Patricia Crawford, Bert de Vries, Victoria L. Godwin, Jennifer C. Groot, Janet Duncan Jones, Jennifer E. Jones, Frank L. Kouchy, Andrea Lain, Eric C. Lapp, Joann McDaniel, Robert Schick, and Michael R. Toplyn. on EtoBox?

The Roman Frontier in Central Jordan: Final Report on the Limes Arabicus Project, 1980-1989 . By S. Thomas Parker, John Wilson Betlyon, Robin M. Brown, Vincent A. Clark, Patricia Crawford, Bert de Vries, Victoria L. Godwin, Jennifer C. Groot, Janet Duncan Jones, Jennifer E. Jones, Frank L. Kouchy, Andrea Lain, Eric C. Lapp, Joann McDaniel, Robert Schick, and Michael R. Toplyn. by Philip W. Freeman is a Arts and Humanities article available to read on EtoBox.

What is The Roman Frontier in Central Jordan: Final Report on the Limes Arabicus Project, 1980-1989 . By S. Thomas Parker, John Wilson Betlyon, Robin M. Brown, Vincent A. Clark, Patricia Crawford, Bert de Vries, Victoria L. Godwin, Jennifer C. Groot, Janet Duncan Jones, Jennifer E. Jones, Frank L. Kouchy, Andrea Lain, Eric C. Lapp, Joann McDaniel, Robert Schick, and Michael R. Toplyn. about?

Minor. The high quality of locally produced copies brings the authors to the conclusion that they were produced by Greek potters or their descendants, and thus that Al Mina was, during this period, under the control of Greek merchants. Williams (105-14) presents a small group of Late Classical jewelry in the British Museum that is said to originate from Phocaea on the west coast of Asia Minor. He also offers a helpful overview of the east Greek, Lydian, Cypriot, and Achaemenid jewelry of the fifth and fourth centuries B.C.E. and demonstrates that objects of mixed styles often make classification difficult. In the last essay, Curtis (115-23) briefly surveys Greek influence on Achaemenid art and architecture in Iran and Mesopotamia, excluding, however, the so-called Graeco-Persian art in Anatolia. He concludes that some Ionian influence is indeed visible in the stoneworking and building techniques at Pasargadae and Persepolis but not in the minor arts (pottery, glass, metal vessels, coins, ivories, textiles, seals, jewelry). Interestingly, this conclusion seems to contradict some Greek literary sources (121). This carefully edited volume covers a wide thematic spectrum and contains a

Who reads The Roman Frontier in Central Jordan: Final Report on the Limes Arabicus Project, 1980-1989 . By S. Thomas Parker, John Wilson Betlyon, Robin M. Brown, Vincent A. Clark, Patricia Crawford, Bert de Vries, Victoria L. Godwin, Jennifer C. Groot, Janet Duncan Jones, Jennifer E. Jones, Frank L. Kouchy, Andrea Lain, Eric C. Lapp, Joann McDaniel, Robert Schick, and Michael R. Toplyn.?

Author

Philip W. Freeman

Publisher

University of Chicago Press

Published

2007

Field

Arts and Humanities (Social Sciences)