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Translation in the Performing Arts : Embodiment, Materiality, and Inclusion by Enza De Francisci. Cristina Marinetti is a nonfiction available to read on EtoBox.

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Cover Half Title Series Page Title Page Copyright Page Table of Contents List of Figures List of contributors Acknowledgements Note on Forewords Theatre and Translation: Personal Reflections Stops Along the Way Introduction Part 1 Translation and the Performing Arts 1 Translation in the Welsh-Khasi Cultural Exchange: Contemporary Performance and Embodied Experience 2 Dance, Immersivity, and Translation in Punchdrunk's The Burnt City 3 Dolphin and Whale Communication in Arts and Music: Towards a New Ethics of Translation and Representation 4 When you don't Speak the Language: The Role of the Dramaturg in Collaborative Translation 5 Archi-textures of Access: Virtual Translations of Embodied Knowledge in Theatre Training 6 Translated/translating Bodies and the Translator's Embodied Dramaturgy 7 Patterns of Performativity: Strategies by Sign Language Interpreters and Performers to Translate Songs Into Sign Language 8 Papageno in Phnom Penh: Die Zauberflöte as Adaptive Intercultural Theatre Part 2 Interviews with Practitioners 9 Translating Words, Music, and Ethnicities: Creative Arts and Translating Cultures Practice – Ha Orchestra and AdinkraLinks Network 10 Translation as Resistance:

Who reads Translation in the Performing Arts : Embodiment, Materiality, and Inclusion?

Author

Enza De Francisci. Cristina Marinetti

Publisher

Routledge, Chapman & Hall, Incorporated

Published

2024

Language

EN

ISBN

9781003335573

Category

nonfiction

Subjects

Literary Fiction, Humanities