Opening book details…
Can I read Between Stillness and Motion: Film, Photography, Algorithms (Amsterdam University Press - Film Culture in Transition) on EtoBox?
Between Stillness and Motion: Film, Photography, Algorithms (Amsterdam University Press - Film Culture in Transition) by Eivind Rossaak is a nonfiction available to read on EtoBox.
What is Between Stillness and Motion: Film, Photography, Algorithms (Amsterdam University Press - Film Culture in Transition) about?
Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media. With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B. N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present.
Who reads Between Stillness and Motion: Film, Photography, Algorithms (Amsterdam University Press - Film Culture in Transition)?
It is typically read by self-directed learners exploring a subject in depth.
Common subject areas: history, science, philosophy, social sciences.
- Author
- Eivind Rossaak
- Publisher
- Amsterdam University Press Chicago Distribution Center [distributor
- Published
- 2012
- Language
- EN
- ISBN
- 9789089642134
- Category
- nonfiction
- Subjects
- Art, Performing Arts, Photography
Other editions & translations
More by Eivind Rossaak
Browse all works by Eivind Rossaak
Similar books
- Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Amsterdam University Press - Film Culture in Transition) — Bergfelder, Tim, Harris, Sue, Street, Sarah (2007)
- Hitchcock's Motifs (Amsterdam University Press - Film Culture in Transition) — Walker, Michael. (2011)
- Farocki/Godard: Film as Theory (Amsterdam University Press - Film Culture in Transition) — Volker Pantenburg (2015)
- Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam University Press - Film Culture in Transition) — Marijke de Valck (2008)
- Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition) — Zanger, Anat. (2006)
- Writing for the Medium: Television in Transition (Amsterdam University Press - Film Culture in Transition) — Thomas Elsaesser, Jan Simons, Lucette Bronk, (1994)