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What is Intermedial Translation As Circulation about?

This article argues that Taiwan literature, particularly the works of Chu Tien-wen, gained international recognition through intermedial translation during the New Cinema period (1982-90) before achieving national acclaim. The collaboration between authors and filmmakers during this time facilitated the circulation of narratives that portrayed Taiwan as a multilingual and multicultural nation, challenging the dominant ideologies of the Kuomintang regime. The success of films adapted from literary works, suc

Author

yonghui832

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EN