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The present volume deals with various formulations and uses of a concept—the Baroque—which in recent times has undergone a series of recyclings and per- mutations at the hands of literary/cultural critics and artists from various fields and academic disciplines. Baroque, Neobaroque, and Ultrabaroque are related concepts which have also been used to define certain social and cultural mani- festations from the early modern period to late and post-modern times. Current interpreters of the Baroque in its latest

Author
Daniel Alva León
Language
EN