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Luck and Chance: Dagger and Guitar 1 Asger Jorn 1 Contents 1 Why? (1963) 4 Foreward (1952) 5 The sublime or informal: Foreward (1963) 7 The status of the aesthetic problems of the present day 11 Brief outline of the fields of activity in aesthetic research 13 The aesthetic phenomenon — summing up and definition 15 Aesthetics perceived as interest in the unknown 15 Michelangelo and Leonardo da Vinci (1963) 17 Aesthetics as meaninglessness and cynicism 18 Aesthetics as injustice, disaster and crime 20 Aesthetics as repellent abnormality 22 Aesthetics as curiosity and wonder 22 Aesthetics as tension, surprise or shock 23 Aesthetics as opportunity or possibility 24 Aesthetics as fanaticism and intolerance 25 Aesthetics as surplus of power or luxury 26 Aesthetics as absurdity or redundancy 27 Aesthetics as accident or chance 28 Aesthetics as amusement or diversion 29 Aesthetics as play or game 30 Aesthetics as intoxication or liberation 31 Aesthetics as celebration, variety or experiment 32 Aesthetics as superficial incompleteness 34 Aesthetics as sensation and sensuality 36 Aesthetics as free will, hope or passion 37 Aesthetics as spirituality, sickness or neurosis 38 I am just a perso

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