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The article discusses the Alexandrian origin of the Chair of Maximianus, an important Early Christian ivory artifact associated with the episcopal seat of Ravenna. While various theories exist regarding its origin, the author argues for an Alexandrian attribution based on iconographical evidence, particularly the unique depiction of the Nativity scene that includes the mid-wife Salome. The analysis suggests that the Chair reflects Coptic artistic traditions and religious concepts, emphasizing the significan

Author

SEMRA YILDIRIM

Language

EN