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The Fabrication of Leonardo da Vinci’s Trattato della pittura by Claire Farago, Janis Bell, Carlo Vecce, Martin Kemp, Juliana Barone is a book available to read on EtoBox.
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Contents 6 Foreword 12 Preface 16 A Note to the Reader 20 Acknowledgments 22 List of Contributors 29 List of Illustrations 32 Manuscript Abbreviations 52 Frequently Cited Sources 55 Introduction: Defining a Historical Approach to Leonardo’s Trattato della pittura 60 On the Sponsorship of Prints 64 The Dedication to Queen Christina of Sweden 66 What Happened before 1640? 76 How Did the Trattato Project Originate? 82 Zaccolini’s Contribution to Dal Pozzo’s Project 85 When the Project Moved to France in 1640 90 The Trattato and the Académie royale 93 Production Values in the Printed Editions of 1651 97 The Broad Political Picture 116 The Trattato at the French Academy in 1651 120 Milan 130 Chapter 1 Before the Trattato: Philological Notes on the Libro di pittura in the Codex Urbinas 1270 132 Chapter 2 Leonardo’s Workshop Procedures and the Trattato della pittura 140 Introduction -1 Part One: The Optics of Painting in Leonardo’s Workshop and the Trattato 143 Theory in the Workshop 149 The Evidence in the Virgin of the Rocks 157 Text-Based Collaboration in the Workshop 168 From Workshop to the Trattato della pittura 171 Part Two: The Training of the Artist and the Trattato 174 The Libro
- Author
- Claire Farago, Janis Bell, Carlo Vecce, Martin Kemp, Juliana Barone
- Language
- IT
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