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Kessel S001-000 AK3.indd by Elsje van Kessel is a book available to read on EtoBox.

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CONTENTS 6 Acknowledgements 10 Introduction 12 At the Doge’s Palace: Setting the Parameters 13 The Lives of Paintings 22 Venice as a Case Study 24 Set-Up of the Book 26 A Modern Miracle: Christ Carrying the Cross in the Scuola di San Rocco 30 Genesis and Early History 32 ‘Che muove le lacrime à pietosi riguardanti’: The Painting as a Trigger of Response 34 Frame and Other Sacred Objects 42 Adaptations 49 The Scuola di San Rocco and the Initiators of the Cult 58 The Faithful 65 The Changing Role of the Artist 71 Conclusion: The Pious Painter 78 A Portrait Defaced: The Donor Portrait of Broccardo Malchiostro in the Duomo of Treviso 82 The Cappella dell’Annunziata 85 Titian’s Annunciation 91 Artistic Innovation as a Problem 97 Donor Portraits 105 Frontality 110 In Search of a Culprit 111 Image Destruction and Pictorial Mockery 116 Image Destruction and Ritual Violence 121 Iconoclasm and Christianity 122 Conclusion: Malchiostro’s End 126 Excursus: ‘... maledetto il saper vostro ...’: Titian and Poetic Iconoclasm 128 A Martyr of Painting: Irene di Spilimbergo, Titian, and Venetian Portraiture between Life and Death 132 Irene di Spilimbergo, her Life and her Death 136 The Washington Port

Author

Elsje van Kessel

Language

NL