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Contents 6 Figures and Tables 8 Chapter 1 The Art Market in Rome in the Eighteenth Century: A Study in the Modern 'Social History’ of Art 14 Chapter 2 The Social Histories of Art 41 Chapter 3 The Value of a Work of Art: Minor Collections and Display Practices 66 Chapter 4 Marketing Strategies and the Creation of Taste in Seventeenth-Century Rome 81 Chapter 5 Jan Meyssens’ 1649 Portfolio of Artists: The Conception and Composition of the Book Image de divers hommes d’esprit sublime (and the Inclusion of Three Italian Painters) 99 Chapter 6 Moral Subjects and Exempla Virtutis at the Start of the Eighteenth Century: Art and Politics in England, Rome and Venice 128 Chapter 7 Sir Joshua Reynolds in Rome, 1750–1752: The Debut of an Artist, an Art Collector or an Art Dealer? 144 Chapter 8 Brownlow Cecil, Ninth Earl of Exeter, Thomas Jenkins and Nicolas Mosman: Origins, Functions and Aesthetic Guidelines of a Great Drawing Collection in Eighteenth-Century Rome, Now at the British Museum 159 Chapter 9 The Capture of the Westmorland and the Purchase of Art in Rome in the 1770s 200 Chapter 10 Economic and Scholarly Appraisal of Ancient Marbles in Late 18th-Century Rome 212 Chapter 11 Jean-Bapt

Author

Coen, Paolo;

Language

EN