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CHOREOGRAPHING HISTORY 1 CONTENTS 6 ACKNOWLEDGMENTS 8 An Introduction to Moving Bodies 9 Choreographing History 10 Manifesto for Dead and Moving Bodies 10 Ambulant Scholarship 18 Bodily Musings 24 Post-Script 26 NOTES 26 Resurrecting Historical Bodies 29 Toward a Universal Language of Motion: Reflections on a Seventeenth-Century Muscle Man 30 NOTES 36 Interval Training 37 Bodies and the World System 38 Embodiment of Identities 41 Inaudibility, Invisibility, and Interconnection 45 Carnivalization and the Somantic Commons 47 NOTES 56 Christian Conversion and the Challenge of Dance 59 I. 63 II. 67 NOTES 70 Bodily Interventions into Academic Disciplines 72 Tacit Knowledge, Courtliness, and the Scientist's Body 73 NOTES 83 Music, the Pythagoreans, and the Body 86 NOTES 106 Agency and History: The Demands of Dance Ethnography 109 NOTES 118 Moving Theory across Bodies of Practice 120 Credit, Novels, Masturbation 121 NOTES 129 Advertising Every Body: Images from the Japanese Modern Years 131 Investigation I: Cultural Constitution of the Body: WOMAN-LIKENESS 133 Investigation II: From Body to Every Body 136 Closing Question: Why the Caricature? 138 NOTES 149 Performing Bodies: Subtractio
- Author
- Foster, Susan Leigh.
- Language
- EN
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