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This article is a study of ‘film as sensation’. It provides a new approach to abstract cinema practices and demonstrates that they include the idea of ‘pure sensation’.Therefore, abstract cinema should not be interpreted as purely structural and conceptual. The author argues that ‘film as sensation’ has been part of the essence of cinema since the very beginning. The argument proceeds from a brief rewriting of the history of abstract cinema with a view to demonstrating how ‘film as sensation’ is

Author

patrícia

Language

EN