About this scholarly article

The Cambridge Companion to Recorded Music by Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel; Rink, John is a scholarly article available to read on EtoBox.

Featuring Fascinating Accounts From Practitioners Including Performers And Producers, This Companion Examines How Developments In Recording Have Transformed Musical Culture. Introduction / The Editors -- Learning To Live With Recording / Susan Tomes -- A Short Take In Praise Of Long Takes / Peter Hill -- Performing For (and Against) The Microphone / Donald Greig -- Producing A Credible Vocal / Mike Howlett -- It Could Have Happened : The Evolution Of Music Construction / Steve Savage -- Recording Practices And The Role Of The Producer / Andrew Blake -- Still Small Voices / Jonathan Freeman-attwood -- Broadening Horizons : 'performance' In The Studio / Michael Haas -- Getting Sounds : The Art Of Sound Engineering / Albin Zak -- Limitations And Creativity In Recording And Performance / Martyn Ware -- Records And Recordings In Post-punk England, 1978-80 / Richard Witts -- The Politics Of The Recording Studio : A Case Study From South Africa / Louise Meintjes -- From Lanza To Lassus / Tully Potter -- From Wind-up To Ipod : Techno-cultures Of Listening / Arild Bergh And Tia Denora -- A Matter Of Circumstance : On Experiencing Recordings / Martin Elste -- Selling Sounds : Recordings And

Author

Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel; Rink, John

Publisher

University of Cambridge ESOL Examinations; Cambridge University Press

Published

2009

Language

EN

ISBN

9780521865821