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Tom Gunning analyzes the early "cinema of attractions" period before 1908. He argues that early films focused on displaying visible imagery and soliciting audience attention, rather than creating self-contained narratives. Editing, camera angles, and mobility played key roles in creating cinematic spectacles. While narrative became more prominent over time, non-classical storytelling methods still found their place. Gunning defines the cinema of attractions as addressing audiences in a specific, exhibitioni

Author

Syafiq Capit

Language

EN