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Contents 8 Restoring Theatre Activism in Postcommunist Eastern and Central Europe-Diana Manole 12 Alternative Theatre in the Postcolonies of Communism-Vessela S. Warner 18 Part One. Re/Inventing Alternative Theatre after the Fall of Communism 28 1. Reality Makers: Hungarian Independent Theatre before and after Communism-Andrea Tompa 30 2. The Center and the Fringe: Post-Soviet Alternative Theatre in Estonia-Jaak Rähesoo 44 3. Theatre NO99: An Alternative State Theatre-Luule Epner 59 4. The Search for Alternatives in Latvian Theatre, 1991–2004: A Creator’s Notebook-Baņuta Rubess 74 5. The Assault of Alternative Theatre against the Limited Universe-Angelina Roşca 88 6. Teatr.doc and the Struggle for Authenticity and Relevance in Contemporary Russian Drama and Theatre-John Freedman 103 7. DAH Theatre: Decontaminating Serbian Culture-Dennis Barnett 118 Part II. Postcommunist Aesthetics and Performance Dissent 132 8. Fusing Performative Boundaries: Relations among Text, Actor, and Space in the Experimental Style of Theatre Laboratory Sfumato-Violeta Detcheva and Vessela S. Warner 134 9. Theatre Laboratory Alma Alter: Jerzy Grotowski’s Legacy and the Heterogeneous Origin of Bulgarian Alt
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