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This paper examines the impact of the landmark copyright case Grand Upright v. Warner on hip-hop sampling aesthetics from 1988 to 1993, highlighting a shift in sampling practices following the lawsuit. The study analyzes a diverse range of hip-hop songs, revealing a decrease in the average number of samples per song and significant changes in their usage. By including both canonical and commercially successful artists, the research aims to provide a more comprehensive understanding of how legal decisions in

Author

Bob

Language

EN